Monday Morsels: Sinful Seduction

SINFUL SEDUCTION

by Jacqueline Seewald

New Jersey, 1776

AT FIRST, the trip to Princeton was not frightening. There were no armies of soldiers on the road. Yet the smell of fear was in the air. Anne McIntyre had been told the Continental Army was retreating across New Jersey with the British army in hot pursuit. The coach pressed on. She grimly kept her skinning knife at one side and the spare pistol at the other — just in case. Visions of red-coated soldiers pillaging and raping marched through her mind.

A few miles outside of Princeton, old Jacob sped up the coach. Anne could hear horses racing and drawing near. Soon there was the sound of voices yelling at Jacob to halt.

“Is it soldiers?” Delia Baincroft asked in a small, frightened voice that made her sound more childish than her sixteen years.

Anne turned her head toward the window at the rear of the coach and peered out. There were four armed men on horses chasing after them, but they were in civilian dress.

“It looks like highwaymen, although I cannot be certain.”

The coach could not outrun the men on horseback, and they were forced to pull over. Anne’s heartbeat increased as she gripped the pistol beside her.

“Where are you goin’, driver? And who are the folk within this fine coach?”

“Who wants to know?” she heard Jacob return sharply.

“Do not be rude to your betters, old man, or I’ll slice out your tongue.”

Fanny Baincroft slightly opened the coach door and peered her head outside. “Step away, man. My daughter is ill, and we are on our way to seek a physician.”

“Then surely you fine ladies have money with you to pay a fat fee. Get out of the coach and hand over your valuables.”

“How dare they!” Delia sputtered indignantly.

“Stand and deliver.”

There was the sound of a pistol fired and then another in exchange. Anne brushed past Fanny to see what was happening. Jacob had obviously tried to shoot one of the robbers, but his aim wasn’t good enough. The old man gasped, holding his chest where blood spurted forth. While the men had their eyes turned on Jacob, Anne took up her weapon and aimed it at the leader of the group.

“I’ll shoot you if you don’t get out of here,” she said, cocking the mechanism.

The highwayman laughed at her in a crude, menacing way. “And what does a young woman like yourself know of weapons?” He started moving toward her. “I think you need to be taught a lesson in how to yield right and proper.”

Anne let loose her shot and caught the man in the head. She saw the look of astonishment as he fell from his horse, blood trickling down his temple. She hoped that without a leader, the others would turn and ride away, but that was not the case. Three men charged toward her, and she could only think to remove her knife from its hide casing in readiness. She would not die without a fight.

But suddenly she heard a pistol discharging and then another. A tall man on a great horse dispersed the robbers, another of whom fell from his horse, bleeding profusely while the other two rode away.

“Are you all right?” The man’s black horse reared up.

Anne found herself trembling. She had been fine in the moment that required her greatest effort, but now she felt weak. It was as if her legs could no longer support her. Their savior seemed to sense this. He climbed down from the spirited stallion and put his arms around her, holding her close as if she were a child. Normally, she would have been shocked and offended by such behavior from a stranger, but these were not usual circumstances. She felt his gesture of comfort suffuse her flesh with an unfamiliar but pleasant sensation of warmth.

“They won’t be back,” he said reassuringly.

He ran his hands over her back and continued to press her close against the hard length of his masculine body. Her reaction to him was peculiar. She felt herself begin to tremble as if in the grip of a raging fever. It took all the strength she could summon to pull free of him.

Anne looked up into the handsomest face she had ever seen. The man removed his hat and bowed to her. His eyes were of a deep, dark blue, hair completely blond on top and sandy beneath. He was well-dressed in a great, black cape and fully armed with a sword and brace of pistols. When he returned his hat to his head, he cocked it jauntily like a military man.

Want to read more?

They met and loved passionately in a time of revolution.

Anne McIntyre, a schoolmistress in the Pine Barrens of New Jersey at the outset of the American Revolution, is serious-minded, intelligent, and patriotic. Anne supports her sister in her marital problems and helps the ironmaster’s widow manage a difficult situation with her daughter.

Peter Kensington should have been an earl, but thanks to the duplicity of his younger brother and his own reckless nature, he has ended up an officer in the colonial war. Spying is alien to his gentlemanly code. Yet he must do exactly that. Anne is suspicious of him from the first but as passionately attracted to him as he is to her.

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Tuesday Special: Witch Wish

JACQUELINE SEEWALD

https://jacquelineseewald.blogspot.com/

Val Williams believes she will never be as pretty or popular as her older sister Ailene. When Ailene dumps her on an unfamiliar road after an argument, Val decides to ask directions of the only person she sees—an old woman engaged in a garage sale. Val purchases a music box that the old woman claims has magical qualities and will grant Val one wish. In a fit of pique, Val wishes that that her sister would stop being so perfect. When Ailene starts acting oddly, breaks up with her boyfriend, stops talking to her friends, starts dating a “bad” boy, and cuts classes, Val is troubled. She begins to fear she caused all this to happen by making her wish and suffers a guilty conscience. How she goes about setting matters right makes for some unusual complications and surprises.
 
Black Opal Books          Amazon


About Jacqueline Seewald:   
Multiple award-winning author, Jacqueline Seewald, has taught creative, expository and technical writing at Rutgers University as well as high school English. She also worked as both an academic librarian and an educational media specialist. Nineteen of her books of fiction have been published to critical praise including books for adults, teens and children. Her most recent novels are DEATH PROMISE and WITCH WISH. Her short stories, poems, essays, reviews and articles have appeared in hundreds of diverse publications and numerous anthologies such as: THE WRITER, L.A. TIMES, READER’S DIGEST, PEDESTAL, SHERLOCK HOLMES MYSTERY MAGAZINE, OVER MY DEAD BODY!, GUMSHOE REVIEW, LIBRARY JOURNAL, PUBLISHERS WEEKLY and THE CHRISTIAN SCIENCE MONITOR. She enjoys painting landscapes and singing along to all kinds of music. Her writer’s blog can be found at: http://jacquelineseewald.blogspot.com.

Writing Teen Fiction Today by Jacqueline Seewald

The Write Way Café welcomes Jacqueline Seewald, who offers tips for writing successfully for teens.

Even before J. K. Rowling's tremendous success with her Harry Potter series, publishers were frantically searching for fantasy and horror fiction for children and teenagers that they hoped would top the bestseller list. Imitation may be the sincerest form of flattery, but it does not insure success as a writer. Here are my suggestions:

Tip One: You don’t need to copy current market trends. (Honor bright!)

Teens have varied tastes in fiction. Not every teen or juvenile book needs to feature werewolves, vampires, witches, goblins, etc. Witness the huge success of such realistic teen novels as THE FAULT IN OUR STARS. Note that ALL THE LIGHT WE CANNOT SEE by Anthony Doerr which won the 2015 Pulitzer Prize for Fiction could easily be read and understood by teens as well as adults since the novel is suited to both. Here we have a book which is historical in nature. Teens are as curious about the past as they are about the present and the future.

Books set in the "real" world do have appeal for teenagers. Teens are not necessarily trying to read books that provide a total escape from reality. Even fantasy books need to be believable, providing an element of reality through character development to which readers can relate. In the crossover novel THE THIRD EYE: A PINE BARRENS MYSTERY, the real world is seen through the eyes of a teenage boy while his mother experiences it through an alternate reality. The paranormal elements in the novel are believable because the “real” world interacts with them.

Dystopian novels are still popular at the current time. But trends change rapidly. My advice, don't write for the market; write the story you need and want to write. We are all writers. We all have within us an important, wonderful story to share. Get in touch with your inner teen self. Strive for authenticity.

Tip Two: Develop a unique voice.

This is one of the most important things in writing a successful young adult novel. This does not mean that you must write only from a first person point of view. However, teenage readers often respond well to a first person narrative. But ”voice” has to do with choice of vocabulary and style as well. In my YA novel, STACY’S SONG, the story is written in the first person from the main character’s point of view. Stacy has a sense of humor and a unique perspective.

Tip Three: Character identification is significant.

It is important to create a central character that young readers can both sympathize and identify with. Whether writing realistic or fantasy fiction, if the reader can't care about or relate to the main character, then he or she won't believe or accept what follows. A main character needs to be well-rounded, think and feel the way adolescents do.

Tip Four: Know teenagers.

If you are going to write about teens, you need to know them. Do some research. Besides raising two teenagers, I taught English and later Library Science. I taught at all levels: the university, high school, middle school and elementary. But most of my years were in the high school. I am accustomed to the way teenagers think, talk and behave. If you are not a teen yourself, talk to teenagers, read their magazines, watch their favorite TV programs, observe how they behave at malls, amusement parks, movie theaters etc. Listen to them.

Tip Five: Recall your own teenage memories.

Dig deep into your psyche. How did you feel as a teenager? Were you confused about certain things? What made you happy? What troubled you? What are your most vivid memories of those times? Did you keep a diary or journal? If so, reread some of what you wrote.

My YA novel, THE DEVIL AND DANNA WEBSTER, published by Clean Reads in all e-book formats and print, is the story of a girl who has identity issues. She is also faced with peer pressure and conflicting values. Most of us have gone through similar problems as adolescents.

Tip Six: Get input from your own children.

Ask your teenagers to read your writing and critique it. Consider collaborating with your children on the writing of your fiction. I wrote WHERE IS ROBERT?, a YA mystery novel, with help from both of my sons who were teenagers at the time. Both boys contributed to the scenes of high school wrestling, since they both engaged in the sport. I couldn't have written the book without them. My son, Andrew, co-authored THE THIRD EYE: A PINE BARRENS MYSTERY published by Five Star/Gale/Cengage. He gave the teenage boy narrator an authentic “voice”.

Tip Seven: Make it dramatic.

Think like a cinematographer. Create vivid scenes. Dramatize your story. Don't just tell your story, show it. I'm certain you've heard that advice before! How to do this? Create meaningful, realistic dialogue for your characters. Each character should be an individual, talking in a certain distinct way to reflect a personal point of view, a unique way of thinking. Good dialogue leads to action and conflict between people with different viewpoints and goals.

Also, settings need to be described so that they seem real. In fact, there's nothing wrong with using real places for background setting. My five published YA’s are all set in Central New Jersey, an area very much like the one in which I lived and worked.

Tip Eight: Begin with an outline.

Outlines can be rough. They don’t need to be detailed. But you should have some idea about arranging the events of the plot line. This will be something to consult when writing your first draft with your key characters and scenes.

Tip Nine: When you develop your book, look for depth.

Although books for teens are usually shorter than those for adults, that doesn't mean they require less creative thought. Respect your readers; give them quality.

Tip Ten: Provide an element of mystery.

Teens as well as younger children enjoy a mystery. Every good work of fiction should have a plot that keeps the reader turning the pages, wanting to discover what is going to happen next. It's important to set up some sort of a question that can't be easily or immediately answered, a secret of the human heart that must be delved into.

Tip Eleven: Develop key themes in your YA fiction.

Teen novels are generally about coming-of-age, of finding personal identity, making sense of the adult world, relating to it and fitting into it—or not.

My latest YA novel is WITCH WISH. Val Williams believes she will never be as pretty or popular as her older sister Ailene. When Ailene dumps her on an unfamiliar road after an argument, Val decides to ask directions of the only person she sees, an old woman engaged in a garage sale. Val purchases a music box which the old woman claims has magical qualities and will grant Val one wish. Val wishes that that her sister would stop being so perfect but soon comes to regret her wish.

https://blackopalbooks.com/witch-wish/

https://www.amazon.com/dp/B07DRB3VVH

The success of J.K. Rowling’s books gave new hope and inspiration to those of us who write juvenile fiction. No longer could we gripe that children and young adults do not read. If nothing else, the reception the Potter books received proves that there is an audience for fiction among young people. Also, such books if well-written have a strong appeal for adult readers as well—think of THE HUNGER GAMES, DIVERGENT or the TWILIGHT series.

Your comments, suggestions and input welcome here!

About Jacqueline Seewald:   
Multiple award-winning author, Jacqueline Seewald, has taught creative, expository and technical writing at Rutgers University as well as high school English. She also worked as both an academic librarian and an educational media specialist. Nineteen of her books of fiction have been published to critical praise including books for adults, teens and children. Her most recent novels are DEATH PROMISE and WITCH WISH. Her short stories, poems, essays, reviews and articles have appeared in hundreds of diverse publications and numerous anthologies such as: THE WRITER, L.A. TIMES, READER’S DIGEST, PEDESTAL, SHERLOCK HOLMES MYSTERY MAGAZINE, OVER MY DEAD BODY!, GUMSHOE REVIEW, LIBRARY JOURNAL, PUBLISHERS WEEKLY and THE CHRISTIAN SCIENCE MONITOR. She enjoys painting landscapes and singing along to all kinds of music. Her writer’s blog can be found at: http://jacquelineseewald.blogspot.com.